Q1
Furthermore, our film also stretches the boundaries of the
genre. This is because it is part of the ‘gritty teen’ sub-genre. Presenting
crime as acceptable is not typical of films. However, this controversial storyline
does it to emote even more sympathy towards the two helpless sisters and the
situation they have been thrown in to. Like in Attack the Block, despite being thugs at the beginning of the film,
trying to steal from a woman; by the end of the film, they are heroes, which is
how we want the audience to see Destiny by the end.
I believe our story line is quite individual, however, there
were elements of our film, such as shots or editing techniques that have been
used before in other, already existing films. One example of this is when
Destiny is hidden under the stairs and there an extreme close-up of her eyes,
as well as a diegetic, heavy breathing sound. This is a stereotypical shot used
a lot in films if a character is hidden, for example, in Jurassic Park.
Furthermore, panning through photos in our title sequence is
not an original idea. It is a common edit used to portray a close relationship
between two people. For instance,
We looked at the reaction we wanted to evoke from our
audience in relation to Richard Dyers theory of Pleasures.
The ones which I think relate most to our film is the
pleasure of ‘intensity’. Our storyline is very gripping and, to an extent, disturbing
and this is what makes it very watchable. This pleasure also links to emotions,
which would be very high when watching this film. Similarly, our film also fits
into the ‘transparency’ pleasure, as it focuses a lot around the relationship
between the sisters. Undoubtedly, Destiny would not be shown to risk what she
does in order to pay for a treatment which provides such a slim chance of
survival. These pleasures are very clearly shown through the ambient music: the
dark, gritty music during the crime scenes and also the very emotive, soft
music during the hospital scenes.
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